Plastic biontes is an intervention in the Hejduk Towers that aims to establish a dialogue, through rubbish, between the city of culture and the city of Santiago. The towers as beacons, as social reference points, as symbols that unite history, memory and the possibility of a future yet to be imagined and built.
Plastic biontes reflects on the increasingly blurred boundaries between the ‘natural’ and the artificial, and on the interdependence of life forms. It proposes a mimesis between the existing and the new, in those symbioses that help us to imagine future forms of life, to pay attention to threats but which also challenge us to imagine forms of adaptation, collaboration and resilience.
Both interventions use leftover materials from the industrial production chains of nearby companies, reusing and re-signifying them to transform the skin of the towers. A play between the visible and the invisible.
Recovering the imagination, the power of observation, of what is close to us, of what exists around us but is invisible to the eye. Making abundance visible helps us to understand who we are.