In Aurora Borealis, the permanence of things is exposed. It reflects on the durability of a scenic work: can it change over time, does it need to change or remain frozen? Transience as a social essence already constituted and apparently approved by society. Aurora Borealis starts from this concept of being exposed to a society of ephemeral consumption, where human attention is increasingly scarce. Like the dance that light performs in Nordic geographies, those apparent fleeting luminosities, which only occur at a certain time of the year, patience is cultivated, and it is so quick that it leaves us with a sensation of passing serenity: the ephemeral and the changing, where the object is very important in relation to the body in the form of parallelism or interaction.