Still lifes made with local materials, or with tourist waste found on the beach, coexist in this project with monumental portraits taken with a large-format analogue camera.
Jesús Madriñán (Santiago de Compostela, 1984) uses large-format analogue photography to reinterpret and update portraiture as an artistic genre. His production is born from the subversion of studio photography, going beyond its usual parameters to nourish itself from the paradox derived from the use of traditional techniques (plate camera) in situations that are inevitably spontaneous and ungraspable.