An artistic project conceived and directed by Carlos Martínez Casanova and Ana Dorrego, proposing a visual, symbolic, and critical reinterpretation of some of the most iconic works in the history of Western art.

Through contemporary photographic recreations, the project embodies and transcends classical paintings such as The Death of Marat, Ophelia, Les Demoiselles d’Avignon, Lady with an Ermine, The Scream, or Woman with a Parasol, among others. The images do not simply reproduce: they provoke, question, and rewrite the canon through present-day bodies—conscious, diverse, and filled with their own meanings.

The result is a series of works charged with aesthetic and conceptual tension, emerging from the intersection of the pictorial and the photographic, of the symbolic and the carnal, of art history and its rereading from the present.