Bewis de la Rosa makes 'rap-rural' a multifaceted artistic proposal that invites to transformation. Performative concerts, a fanzine that collects texts critical of romantic love, a non-vinyl-tomatera and songs that mix elements of hip-hop, Latin and folklore to speak to us of degrowth, feminism, the historical wound and mental health in his first album Amor más que nunca (Love more than ever). A scenic universe with clear references to tradition that intertwines music, dance and performance.